When you come back to the script to start revising, try to create a separate evaluation phase and then a rewriting phase.

It covers the production stage of a script reaching the television screen, which follows from a greenlight from the ...

Paul Ashton gives a summary of the Script Room stats includng where submissions got to in the process – and a few thoughts about the process as extrapolated from the stats. If you submitted to Script ...

With all the debate over scripts versus storyboards, animation writer Steve Marmel (Fairly Oddparents, Danny Phantom, et al) has jumped into the fray, and put his money where his mouth is. Marmel, on ...

We received a record 5167 submissions to our latest annual Script Room window for Drama and Comedy Drama. Our Reading Team have been working as fast as they can, but while you wait for the results we ...