That said, even within his circumscribed palette, Aimard found worthy moments, as with the subdued drama of the Prelude in ...
Music of Ravel and Rachmaninoff made up the lion’s share of the bill Thursday night at Symphony Hall. But the longest and ...
My time will come,” Gustav Mahler once predicted, “when his has passed.” So it mostly has—though the quote’s second clause, a ...
Sunday’s strings-only concert from Pro Arte Chamber Orchestra at Newton’s Second Church emphasized that point from a couple ...
The Boston Symphony Orchestra announced its 2026-27 schedule this week. Music director Andris Nelsons, whose term at the orchestra’s helm will end in August 2027, leads fifteen weeks of concerts, ...
Boston Classical Review is looking for concert reviewers based in the Boston area. Solid knowledge of classical repertory is required as well as first-class writing skills. Classical reviewing and/or ...
Pierre-Laurent Aimard released a well-received recording of Book I of The Well-Tempered Clavier in 2014 on DG. The celebrated pianist has finally followed that up with Book II (this time for Pentatone ...
Since its founding in 1881, the Boston Symphony Orchestra has cultivated relationships with some notable composers: Igor Stravinsky, Maurice Ravel, George Gershwin, Leonard Bernstein, and Thomas Adès ...
A sold-out Symphony Hall witnessed a moving performance of Mahler’s Symphony No. 2 in C minor (“Resurrection”) by the Boston Philharmonic Orchestra under the baton of Benjamin Zander Friday night.
There are few great works upon which fame has shone more unwillingly than Edward Elgar’s Violin Concerto in B minor—at least so far as the Boston Symphony Orchestra is concerned. True, this ...
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