A native of Los Angeles, Tilson Thomas was born in 1944 to a storied artistic family. Ted Thomas, his father, was a producer ...
Boston Classical Review is looking for available concert reviewers based in the Boston area. Solid knowledge of classical repertory is required as well as first-class writing skills. Classical ...
What do Mozart sonatas have in common with Debussy and Poulenc? Paul Lewis provided a compelling answer Saturday night at ...
Pierre-Laurent Aimard released a well-received recording of Book I of The Well-Tempered Clavier in 2014 on DG. The celebrated ...
Music of Ravel and Rachmaninoff made up the lion’s share of the bill Thursday night at Symphony Hall. But the longest and ...
Sunday’s strings-only concert from Pro Arte Chamber Orchestra at Newton’s Second Church emphasized that point from a couple ...
Officially, the Boston Symphony Orchestra’s “E Pluribus Unum” festival ended at the beginning of February. But the grassroots demonstrations that have sprung up in support of music director Andris ...
“Key of E?” the playwright Franz Liebkind asks Max Bialystock during the first act of Mel Brooks’ musical The Producers. “Is there any other?” comes the reply. There wasn’t on Friday when Víkingur ...
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