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Art of Bop - Comp Ex 2 Ever wondered if it’s possible to play John Riley comping exercises with brushes? The application is quite simple, but takes time to develop into smooth, seamless motions. To play any triplet-based rhythm, make sure you can play the Two-Direction Legato, and Singles with Crossover Pattern. For any accent on the 2nd or 3rd triplet, play it with your left brush as inward sweeps after beats 1 and 3, and outwards sweeps that crossover the right, on beats 2 and 4. I set this al
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Art of Bop - Comp Ex 2 Ever wondered if it’s possible to play John Riley comping exercises with brushes? The application is quite simple, but takes time to develop into smooth, seamless motions. To play any triplet-based rhythm, make sure you can play the Two-Direction Legato, and Singles with Crossover Pattern. For any accent on the 2nd or 3rd triplet, play it with your left brush as inward sweeps after beats 1 and 3, and outwards sweeps that crossover the right, on beats 2 and 4. I set this al
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FacebookStanislavski Music
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Art of Bop - Comp Ex 1 Ever wondered if it’s possible to play John Riley comping exercises with brushes? The application is quite simple, but takes time to develop into smooth, seamless motions. To play any 8th-note based rhythm, make sure you can play the Two-Direction Legato, then start working in accents on all the individual 8th-note. I set this all out in my book Comping and Improvising with Brushes, then once you get the hang of it, you can then move onto books such as Art of Bop Drumming,
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